Television Producer. He worked for Jack Webb's production company, Mark VII Productions. He is most famous for co-creating the TV series "Emergency!" with Harold Jack Bloom. "Emergency!" helped made the public aware of the then-fledgling paramedic program, first authorized in California by the 1969 Wedsworth-Townsend Act. He also co-created "Adam-12" with Webb. The LA County Fire Station portrayed as "Station 51" was renamed in his memory.
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See Wikipedia for add'l information and citations. See also IMDB for his filmography and bio and career summary.
A native New Yorker and an Army veteran, Cinader first wrote for Holiday Magazine, and later became head of the United Nations' publications operation. Then he turned to the field of television syndication, working for the William Morris Agency and later for NBC's syndication division, where he created a 1957 adventure series, The Silent Service, a Dragnet-like semi-documentary anthology about Navy submarines. Afterward, he worked for both Hal Roach and Red Skelton in the early 1960s.
While working a stint at Warner Brothers, Cinader was approached by Webb (a former head of the WB TV operation) to assist him in producing his 1967-70 revival of Dragnet, for Universal Studios. While on that job, he devised a show for Mark VII that told the story of the police beat from the perspective of two LAPD patrol officers. The result, Adam-12, ran on NBC from 1968–75; Cinader was also the producer of that program during the early part of its run.
In 1971, while brainstorming for new program ideas, Cinader heard about a trial paramedic program that Los Angeles County was undertaking with funding by the California State Legislature. He became so enthralled with the idea that he persuaded Webb and Universal to make an entire show about the phenomenon.
Emergency! was set in a fictional fire station, with trained firefighters attending to first aid and primary care of sick and injured victims on the scene, while electronically transmitting medical information to, and receiving instructions from, doctors and/or nurses at the fictional Rampart hospital. The show debuted as a mid-season replacement in early 1972, and despite facing the top-rated All in the Family for most of its run on Saturday nights, Emergency! managed to gain a large following among young viewers.
NBC spun off the show into a Saturday-morning cartoon series entitled Emergency +4, which lasted for two years in the mid-1970s. The prime-time show itself ran for six seasons as a weekly show and two more as a series of two-hour made-for-TV movies. Cinader eventually became its executive producer; during the 1973-74 season, he also helmed Mark VII's Chase, a similar adventure-based show. The following year, he would supervise an Emergency! spin-off of sorts, Sierra, a show that lasted only 13 weeks. He produced two 1979 miniseries The Rebels and The Seekers, as well as Condominium (1980).
Cinader became an expert in emergency medicine and in 1975 was appointed to the Emergency Medical Services Commission of Los Angeles County and he served on the commission until his death.
Just prior to his death, Cinader produced the first six episodes of Knight Rider, a new series from Glen A. Larson. He is listed in the credits as Co-Executive Producer
~~~~~~~~~~~~~~~~~~~~~~
See Wikipedia for add'l information and citations. See also IMDB for his filmography and bio and career summary.
A native New Yorker and an Army veteran, Cinader first wrote for Holiday Magazine, and later became head of the United Nations' publications operation. Then he turned to the field of television syndication, working for the William Morris Agency and later for NBC's syndication division, where he created a 1957 adventure series, The Silent Service, a Dragnet-like semi-documentary anthology about Navy submarines. Afterward, he worked for both Hal Roach and Red Skelton in the early 1960s.
While working a stint at Warner Brothers, Cinader was approached by Webb (a former head of the WB TV operation) to assist him in producing his 1967-70 revival of Dragnet, for Universal Studios. While on that job, he devised a show for Mark VII that told the story of the police beat from the perspective of two LAPD patrol officers. The result, Adam-12, ran on NBC from 1968–75; Cinader was also the producer of that program during the early part of its run.
In 1971, while brainstorming for new program ideas, Cinader heard about a trial paramedic program that Los Angeles County was undertaking with funding by the California State Legislature. He became so enthralled with the idea that he persuaded Webb and Universal to make an entire show about the phenomenon.
Emergency! was set in a fictional fire station, with trained firefighters attending to first aid and primary care of sick and injured victims on the scene, while electronically transmitting medical information to, and receiving instructions from, doctors and/or nurses at the fictional Rampart hospital. The show debuted as a mid-season replacement in early 1972, and despite facing the top-rated All in the Family for most of its run on Saturday nights, Emergency! managed to gain a large following among young viewers.
NBC spun off the show into a Saturday-morning cartoon series entitled Emergency +4, which lasted for two years in the mid-1970s. The prime-time show itself ran for six seasons as a weekly show and two more as a series of two-hour made-for-TV movies. Cinader eventually became its executive producer; during the 1973-74 season, he also helmed Mark VII's Chase, a similar adventure-based show. The following year, he would supervise an Emergency! spin-off of sorts, Sierra, a show that lasted only 13 weeks. He produced two 1979 miniseries The Rebels and The Seekers, as well as Condominium (1980).
Cinader became an expert in emergency medicine and in 1975 was appointed to the Emergency Medical Services Commission of Los Angeles County and he served on the commission until his death.
Just prior to his death, Cinader produced the first six episodes of Knight Rider, a new series from Glen A. Larson. He is listed in the credits as Co-Executive Producer
Television Producer. He worked for Jack Webb's production company, Mark VII Productions. He is most famous for co-creating the TV series "Emergency!" with Harold Jack Bloom. "Emergency!" helped made the public aware of the then-fledgling paramedic program, first authorized in California by the 1969 Wedsworth-Townsend Act. He also co-created "Adam-12" with Webb. The LA County Fire Station portrayed as "Station 51" was renamed in his memory.
~~~~~~~~~~~~~~~~~~~~~~
See Wikipedia for add'l information and citations. See also IMDB for his filmography and bio and career summary.
A native New Yorker and an Army veteran, Cinader first wrote for Holiday Magazine, and later became head of the United Nations' publications operation. Then he turned to the field of television syndication, working for the William Morris Agency and later for NBC's syndication division, where he created a 1957 adventure series, The Silent Service, a Dragnet-like semi-documentary anthology about Navy submarines. Afterward, he worked for both Hal Roach and Red Skelton in the early 1960s.
While working a stint at Warner Brothers, Cinader was approached by Webb (a former head of the WB TV operation) to assist him in producing his 1967-70 revival of Dragnet, for Universal Studios. While on that job, he devised a show for Mark VII that told the story of the police beat from the perspective of two LAPD patrol officers. The result, Adam-12, ran on NBC from 1968–75; Cinader was also the producer of that program during the early part of its run.
In 1971, while brainstorming for new program ideas, Cinader heard about a trial paramedic program that Los Angeles County was undertaking with funding by the California State Legislature. He became so enthralled with the idea that he persuaded Webb and Universal to make an entire show about the phenomenon.
Emergency! was set in a fictional fire station, with trained firefighters attending to first aid and primary care of sick and injured victims on the scene, while electronically transmitting medical information to, and receiving instructions from, doctors and/or nurses at the fictional Rampart hospital. The show debuted as a mid-season replacement in early 1972, and despite facing the top-rated All in the Family for most of its run on Saturday nights, Emergency! managed to gain a large following among young viewers.
NBC spun off the show into a Saturday-morning cartoon series entitled Emergency +4, which lasted for two years in the mid-1970s. The prime-time show itself ran for six seasons as a weekly show and two more as a series of two-hour made-for-TV movies. Cinader eventually became its executive producer; during the 1973-74 season, he also helmed Mark VII's Chase, a similar adventure-based show. The following year, he would supervise an Emergency! spin-off of sorts, Sierra, a show that lasted only 13 weeks. He produced two 1979 miniseries The Rebels and The Seekers, as well as Condominium (1980).
Cinader became an expert in emergency medicine and in 1975 was appointed to the Emergency Medical Services Commission of Los Angeles County and he served on the commission until his death.
Just prior to his death, Cinader produced the first six episodes of Knight Rider, a new series from Glen A. Larson. He is listed in the credits as Co-Executive Producer
~~~~~~~~~~~~~~~~~~~~~~
See Wikipedia for add'l information and citations. See also IMDB for his filmography and bio and career summary.
A native New Yorker and an Army veteran, Cinader first wrote for Holiday Magazine, and later became head of the United Nations' publications operation. Then he turned to the field of television syndication, working for the William Morris Agency and later for NBC's syndication division, where he created a 1957 adventure series, The Silent Service, a Dragnet-like semi-documentary anthology about Navy submarines. Afterward, he worked for both Hal Roach and Red Skelton in the early 1960s.
While working a stint at Warner Brothers, Cinader was approached by Webb (a former head of the WB TV operation) to assist him in producing his 1967-70 revival of Dragnet, for Universal Studios. While on that job, he devised a show for Mark VII that told the story of the police beat from the perspective of two LAPD patrol officers. The result, Adam-12, ran on NBC from 1968–75; Cinader was also the producer of that program during the early part of its run.
In 1971, while brainstorming for new program ideas, Cinader heard about a trial paramedic program that Los Angeles County was undertaking with funding by the California State Legislature. He became so enthralled with the idea that he persuaded Webb and Universal to make an entire show about the phenomenon.
Emergency! was set in a fictional fire station, with trained firefighters attending to first aid and primary care of sick and injured victims on the scene, while electronically transmitting medical information to, and receiving instructions from, doctors and/or nurses at the fictional Rampart hospital. The show debuted as a mid-season replacement in early 1972, and despite facing the top-rated All in the Family for most of its run on Saturday nights, Emergency! managed to gain a large following among young viewers.
NBC spun off the show into a Saturday-morning cartoon series entitled Emergency +4, which lasted for two years in the mid-1970s. The prime-time show itself ran for six seasons as a weekly show and two more as a series of two-hour made-for-TV movies. Cinader eventually became its executive producer; during the 1973-74 season, he also helmed Mark VII's Chase, a similar adventure-based show. The following year, he would supervise an Emergency! spin-off of sorts, Sierra, a show that lasted only 13 weeks. He produced two 1979 miniseries The Rebels and The Seekers, as well as Condominium (1980).
Cinader became an expert in emergency medicine and in 1975 was appointed to the Emergency Medical Services Commission of Los Angeles County and he served on the commission until his death.
Just prior to his death, Cinader produced the first six episodes of Knight Rider, a new series from Glen A. Larson. He is listed in the credits as Co-Executive Producer
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