Musician; b. Concord, N.H., Feb. 10, 1866, dau. Charles and Ednah (Eastman) Aspinwall; ed. Concord public schools, Nw England Conservatory of Music and by private teachers, including G.H. Howard, Milo Benedict and Arthur Foote; teacher of pianoforte in Concord since 1890, first teacher in the city to take up the work of instruction in the "Progressive Series of Piano Lessons"; organist and choir director at the First Universalist church in Concord for the last twenty-five years; pianist and accompanist for the Concord Choral Union, and its successor, the Concord Oratorio Society, since organization, appearing in festival and concert work with the most noted artists, also as accompanist in outside festival work and chamber concerts; member, Concord Woman's Club; Music Club, Rumford Chapter, D.A.R., Capital Grange, P. of H., Fidelity Rebekah Lodge, I.O.O.F. Residence, 68 Washington St., Concord, N.H.
One Thousand new Hampshire Notables
Page 46 & 47
Musician; b. Concord, N.H., Feb. 10, 1866, dau. Charles and Ednah (Eastman) Aspinwall; ed. Concord public schools, Nw England Conservatory of Music and by private teachers, including G.H. Howard, Milo Benedict and Arthur Foote; teacher of pianoforte in Concord since 1890, first teacher in the city to take up the work of instruction in the "Progressive Series of Piano Lessons"; organist and choir director at the First Universalist church in Concord for the last twenty-five years; pianist and accompanist for the Concord Choral Union, and its successor, the Concord Oratorio Society, since organization, appearing in festival and concert work with the most noted artists, also as accompanist in outside festival work and chamber concerts; member, Concord Woman's Club; Music Club, Rumford Chapter, D.A.R., Capital Grange, P. of H., Fidelity Rebekah Lodge, I.O.O.F. Residence, 68 Washington St., Concord, N.H.
One Thousand new Hampshire Notables
Page 46 & 47
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